Gavin Stuff, Op-Ed

The Problem with YouTube Recap (and Wrapped)

I say this with all due respect and love for the thousands of hours of programming YouTube as a platform has provided me over the past twenty years: it’s too late to debut YouTube Recap. We live in an era where individual YouTube accounts simply do not work for a Spotify Wrapped-style recap in the grand scheme of things for a significant chunk of the adult user base.

One of the biggest news stories for YouTube this year was the announcement that smart TVs are the most commonly-used device for watching YouTube videos, signalling YouTube videos have become “TV” for a lot of people. Who needs to rely on the dour professionalism and cheesy comedy (the latter usually provided by meteorologists) of a local news broadcast when you can just watch a local vlogger’s update video on your own time (presuming you live in a big enough city to support a vlogging ecosystem)?

The problem with YouTube becoming television for a lot of people is television fundamentally does not work for Spotify Wrapped-style year-end recaps. 

To be clear: I find year-end recaps fun. But the older I get, and the more rote these recaps on various platforms become, the less fun they are. My top song of the year on Spotify Wrapped back in 2018 genuinely was a song I listened to a lot that year. My top artists were artists I genuinely listened to a lot. But Spotify is a music service. When I opened the app back then, I was doing so exclusively to pay attention to the media coming through it.

For those of you old enough, think back to 2005. Think about that TV in your living room, bedroom or – if you were fancy enough- the TV in your kitchen. Luxury of luxuries. How many times did you turn that thing on and some garbage played in the background while you half paid attention?

In December of 2005 if someone asked you your favorite TV show, the show you were most passionate about you probably would’ve said House, CSI, Lost, or even that weird racial segregation season of Survivor. But if the TVs in your house had a Wrapped, they would have passionately disagreed. American Idol was on twice a week. Good Morning America was on every damn weekday. 

I’ve seen hundreds of episodes of Wheel of Fortune purely because my grandmother would habitually turn it on. There was nothing else good during that timeslot and what are we gonna do, sit in silence? How many countless hours of daytime TV graced the pixelated screen of your statistically-not-HD-yet home TVs 20 years ago? Stuff you wouldn’t have given a second thought, but a Wrapped would’ve fastidiously noted? 

YouTube Recap is great in a world where YouTube is used like a music service: a bespoke app on your phone you only open to intentionally consume specific bits of content. Once you introduce the casual daily consumption habits of “TV” or “radio,” the novelty and accuracy falls apart.

And this isn’t just YouTube’s problem. My music recaps have been screwed for years because I consume an entire genre of music I do not want apps to consider a “favorite.” I listen to lo-fi hiphop when I work, as it’s the closest thing to ADHD medication that works for me. Chillhop is one of my favorite distributors, I love their seasonal compilation albums and have found several specific lo-fi artists I like thanks to those comps. But: lo-fi hiphop is not a genre where I need computer assistance in finding anything. Guess what every frickin’ discovery algorithm and year-end Wrapped thinks Gavin wants?

closeup photo of sunflower seeds


Wrapped, Recap, whatever you call it: they’re the distant relative who heard you say once that you liked sunflower seeds. Lo and behold: you’re gonna get a novelty container of sunflower seeds every damn holiday and birthday for the rest of time. There’s no nuance for considering what is enjoyed content versus what is loved content. 

I pay for YouTube Premium. Have done so for three years now. Of course, in practice the intention of YouTube on smart TVs is everyone picks their own individual account to watch their content, similar to how everyone chooses their own profile when opening up a Netflix-ian streaming service. Something that doesn’t work for co-watching.

Hours and hours of Northernlion playing The Bazaar and Cloverpit? Yeah, that’s 100% me actively making that decision. Dozens of hours re-watching 10 Minute Power Hour episodes ad nauseum? Nope, that’s my partner and I putting on background noise while we play puzzle games before bed. Or throwing background noise on in the living room while we cross-stitch, crochet, or sort our growing physical media collection.

YouTube is television for me in the same way television existed for me in 2006. I have passionately used YouTube since I was a teenager and some creators have greatly shaped my approach to art, to creating, to life. I’m sure I’m not the most common use-case of a YouTube Premium account out there, but it’s pretty easy to presume that in a household where YouTube regularly appears on actual televisions in front of multiple people, at least one account in that household is going to be re-watching tons of content that isn’t actually being ‘watched.’

For example: YouTube Recap thinks my top channel of the year is The Grumps.

The Grumps have put out 40-ish episodes of 10 Minute Power Hour this year. I’m not gonna sit here and act like I don’t enjoy the show. But my watching the new episode most Mondays does not counterbalance the dozens of hours of Librarian’s Northernlion edits and Skye4’s Jerma985 supercuts I’ve watched on purpose. I’ve watched every Miles in Transitvideo this year. Not every video he put out in 2025. All of them. I’ve watched 10 seasons of Taskmaster UK on YouTube. Well There’s Your Problemhas put out some phenomenal episodes this year, and I’ve revisited several classic multi-hour episodes. I’m current on London Eatsas he cruises around the streets of London on his e-scooter. I keep close tabs on Chillias he cleans up the world one piece of litter at a time.


Is there a way to fix Recap for a TV-ified YouTube? I think so, but it’d require bucking a trend and making the magic black box of algorithmic decisions less magical. Rarely do Recaps and Wrappeds actually give the user any ability to say “actually, my entire musical interests do not start and stop at lo-fi.” For something like a Recap to work and actually capture the buzz of back when Spotify Wrapped was the new hotness, there ironically needs to be more user input to the magic box. 

‘Cus let me tell you: any and all nostalgic magic was sucked out of the room the second YouTube Recap proposed car repair is one of my top interests. You know why it said that? I do car maintenance for friends and my own cars, and occasionally while I’m out on the pavement I watch 30 seconds of a tutorial video to double-check a tricky bolt’s location, or make sure I wrote down a torque spec right. I did not sit down and watch a video about the location of the MAF in a random Honda Civic year range.

But then again, Recap isn’t for you, is it? They never are. It’s fun to be reminded of what you did this year. But once you’re reminded of that, what do you do? Screenshot it, and post it on socials. Discord channels are flooded, Bluesky feeds are clogged. Subreddits outright ban them or shunt them into megathreads to isolate them. There is intrinsic value to taking a moment to look back at what happened this year. Hell, I’m writing a second article that’s specifically just YouTube channels I found/loved this year as some sugar to balance out the salt of this critique. 

Recap could be good. Wrapped could be good. But we live in a world where ‘new media’ has evolved to the point where, in a way, consumption habits have regressed to how we used to consume media: without care for how a sorting algorithm tabulates the behavior. A big goal of YouTube, and other services like it, was to become “television” for millions of Americans. An unfortunate side effect of achieving that goal is you can’t 1:1 replicate the experiences of niche media apps and expect them to perform the same. Because if you do re-build that for your platform, it’s just gonna give out sunflower seeds.

nonfiction

Ned Fulmer’s New Podcast Rock Bottom Wiped A Podcast His Wife Made in 2020

Ned Fulmer, the former Try Guy who made a big splash yesterday with a People exclusive announcing his new podcast Rock Bottom, managed to figure out a way to leverage his wife Ariel one more time.

Spoiler alert: the podcast feed for Rock Bottom is built on top of a podcast he made with his wife.

Continue reading “Ned Fulmer’s New Podcast Rock Bottom Wiped A Podcast His Wife Made in 2020”
nonfiction, TV/Film

Building My Personal Streaming Service: The Software

Well over a year ago I wrote my first article in this series charting my media server journey, and showing how you can do it to what I built to create my Jellyfin server. 

In that time, I’ve gone from using an off-the-shelf NAS to building an actual full-fledged media server, so I feel more comfortable writing with some level of “amateur but I know what I’m doing” expertise. For those of you interested in hardware, I intend on making a future installment of this series specifically about hardware I purchased, a build guide I found, and what I’d do differently if I was starting from scratch. That said, my gut says the next piece will be specifically about how one sources media for their media server (legally, before you get too excited).

Continue reading “Building My Personal Streaming Service: The Software”
Gavin Stuff

I (somehow) built my own streaming service.

Some people put their year-end bonuses into a high-yield savings account. Some use it as a down payment on a better car, some are lucky enough to get into a jelly of the month club.

I, on the other hand, built a media server. Flash forward a couple months, a storm swept through my city and left Spectrum, an ISP that can’t deliver under even the sligthest of inconveniences, out for two days.

The ordeal sucked, but it sure did vindicate my sudden new hobby and provide a thrilling conclusion to a small series of blog posts about my hyperfixation.

Continue reading “I (somehow) built my own streaming service.”
TV/Film

a review of action button reviews boko no natuyasumi

Why yes, I’m reviewing a review that takes six hours to watch. A review of a review of a niche Playstation game that was only released in Japan. I do what I want.

This is a review of action button reviews boku no natsuyasumi, the opening video of Action Button season two. In the interest of not undermining the herculean amounts of research and writing that went into Rogers’ review, I will avoid going too much into specific detail. Instead this text will be more of a broad spoiler-free birds-eye view of whether or not you should watch this six hour review of a Playstation game.

Continue reading “a review of action button reviews boko no natuyasumi”
Uncategorized

Introducing: Podcast Pinpoints

For a year or so I had a pretty good (if underpaid) gig reviewing podcasts in bite-sized reviews. The kinda critique you’d find in a local newspaper or magazine’s media section. It was a fun time. I’m gonna try to rekindle that fun on my own.

Continue reading “Introducing: Podcast Pinpoints”
Gavin Stuff, Op-Ed

Jason Vorhees and the TikTok Trend (feat. Katy Perry)

Last month a forgotten survival horror game saw a brief spike of interest thanks to a TikTok meme featuring a quirked up white boy busting it down sexual style on Jason Vorhees, all scored to a 2013 Katy Perry single.

It was a flash in the pan few will remember, but in that moment this forgotten game highlighted a weak spot in the superstructure of video game criticism that demands discussion. With single-player games critics have things pretty well covered. You get a review copy, play the game, write one review and call it a day. If a remaster or substantive story DLC comes along there will inevitably be a second write-up covering the content changes so consumers have a fresh interpretation of the game with the added clarity of modern context.

Content Warning: One instance of a homophobic slur. Have fun finding it.

Continue reading “Jason Vorhees and the TikTok Trend (feat. Katy Perry)”